Tableware in repeatable shapes
Bowls, plates and cups thrown in white stoneware, sized in millimetres so a replacement piece fits the stack you already own. Matte bone glaze, unglazed foot rings.
What we handle for design stores, cafés and galleries
Most of our orders start with a shelf that needs filling or a menu that needs serving ware. We work from the Woodstock workshop on short runs, so a café in Observatory can reorder the same bowl shape two years later and still get a close match in glaze and wall thickness.
Below is what we actually take on, from single sample tiles to a full table setting for a new space. If your brief sits somewhere between two of these, that is usually where the interesting work is.
Brushed brass lighting
Pendant families in 120, 180 and 240 mm, with hand-sewn raw linen shades and E27 fittings. The finish dulls over time instead of flaking, which suits retail floors and dining rooms alike.
Natural-dye textiles
Wool and raw cotton dyed in acacia bark, madder root and onion skin baths, woven on a floor loom at 1400 mm width. Each batch gets a colour card so a later order can be matched.
Reclaimed timber furniture
Benches, plinths and low shelving built from salvaged Cape hardwood. We keep the nail marks and old saw cuts where they do not weaken a joint, and document every board before cutting.
Process photography
Natural-light shots of the wheel, the drying shelf and the kiln curve, plus clean product frames on bone backgrounds. Useful when a store needs images for its own catalogue or window cards.
Glaze and material samples
Before a full run we send test tiles and swatch cards so you can check tone against your own lighting. Small batches from the workshop, no minimum on samples.